Thursday, November 29, 2012

WHIP IT...WHIP IT GOOD


"Sirrah, I am a patient man.  But only to a point."  

This would be a typical line of dialogue from the most powerful warrior in the Multicosm, right before he scorches someone with a firestorm, smacks them down with the mightiest muscles in all of space and time--or smites them with the all-crushing power of the Dragon's Tail!



When Quantum Comics Blog returns, we'll see the color versions of these drawings of Draco Rex brandishing one of the most devastating weapons in existence and learn more about the Dragon's Tail.  We'll also see the most awe-inspiring holiday event of all--the 2012 Quantum Christmas Card!  Keep looking in as the Yuletide season gets under way!





Monday, November 12, 2012

THIS DRAGON'S NO DRAG ON YOU


In a previous post I introduced you to Earth’s most awesome adventurers, the Environauts.  As I was brainstorming the exploits of the Nauts (which are still in the works), I naturally began to look for the other characters, heroes and villains, who would populate their stories and make their world exciting.  And it was at this time that I was browsing a Barnes & Noble  bookstore and came upon a book called When God Was a Woman.  The title intrigued me enough that I wanted to give it the flip-through, and on doing so I learned that there was once a time, before Christianity, when people worshipped a divine female creator--a monotheistic religion centered on a Goddess.  And even more intriguingly, in the religion of the Goddess, snakes were considered sacred animals!  In our culture, of course, most people live in an instinctive, phobic fear and loathing of all reptiles (except, usually, turtles).  But in the Goddess religion, snakes were revered as having a direct pipeline to divinity!  Which would lead me, in a roundabout way, to creating one of the most powerful heroes in the Quantum cast.



I have always loved reptiles.  I had iguanas as pets in high school, and for almost 16 years I had a Boa named Ralph.  I emphatically don’t share people’s general loathing of these beautiful creatures.  And I was fascinated to learn that there was once a religion that felt the same way.  It especially caught my interest because of what I knew about how Christianity had secured its power in the world, by making a disobedient woman responsible for all the ills of humanity--a woman who, according to the myth, had gone against the wishes of a male God and listened to a talking snake!  By making a woman responsible for man being cast out of Paradise and making a snake the instrument of her downfall, Christianity had effectively discredited women and reptiles for centuries to come and set itself up in an enduring patriarchy.  Well, I didn’t need a snake lobbing an apple at me to know that there was a story--perhaps a lot of stories--in that!

So, for one of the first Environauts sagas, I imagined that Lucky Star and his friends would battle a monster named Cerastes.  He would be a humanoid/dinosaur being, torn between a comic-book-advanced intelligence and an insane need to kill, destroy, and enslave other life.  Cerastes came from an alternate universe where the killer asteroid from 65 million years ago missed Earth and the Age of Reptiles never ended.  He came to this Earth as a conqueror in pre-Christian times and was responsible for human myths about dragons.  And the race of beings from which he had mutated, the more benevolent, reptilian Varons, had helped an uncomprehending humanity to stop him.  (The name Varons comes from Varanus--the scientific name of monitor lizards to which the Komodo Dragon belongs.)  The human followers of the Varons were, of course, snake-revering Goddess worshippers.  But after the rout of Cerastes, the Varons feared the cultural contamination of our world, where humans were barely into the Bronze Age.  So they took their human followers away to the place called the Junction, a kind of nexus of alternate realities, and helped them to cope with the things they had learned about the way the universe really works.  They also helped them to transform Earth’s dragons back into the birds from which Cerastes had mutated them, leaving us with only the mythology instead of the reality of dragons.

With me so far?  Good, because here’s where it gets really interesting.  By the time Cerastes struck again, the followers of the Varons had created a matriarchal, snake-and-dragon-honoring society called Varonia, composed largely but not exclusively of Anglo-Saxon and Celtic humans.  And the Varonians had learned how to create a mutagenic chemical that resembled blood, which they called the Dragonblood.  By bathing in the fateful Dragonblood, any person who had earned the privilege could emerge with superhuman powers.  (In dragon mythology, bathing in the blood of a dragon makes you invulnerable.  Learning about myths and how to use them is very valuable in storytelling, as you can see.)  During the battle between Varonia and Cersates, a family of valiant “dragon-slayers” had at their foe.  Brave Fintan Draco was slain in combat.  His wife, Tiamat, fell into the Dragonblood and nearly drowned.  And their son, Declan, dived in to save his mother.  Both were dramatically transformed.  Tiamat, because of the length and depth of her immersion, acquired cosmic-level matter/energy powers.  She was effectively a living goddess.  Declan, who had dived deep and also been deeply immersed to save his mother, grew large, powerful, dragon-like wings.  He gained virtually immeasurable strength and invulnerability, the power to summon and control any quantity of heat and fire, and the ability to take flight by using his heat powers to create air currents to support his mighty wings.  At a gesture, he could create a firestorm that could incinerate a city, call any outside fire to his hand, or snuff out any flame with a thought!  After Declan used his newfound and terrifying powers to put down Cerastes, his mother ascended to Queen of Varonia and dubbed her son Draco Rex--”King of Dragons,” the mightiest warrior in all of space and time!

So where do the Environauts come into all this?  In the story as I first saw it, Cerastes attacks Earth yet again, in the present day, and this time the Nauts come out to battle him.  In the midst of this battle they picked up an ally--Serpentyne, warrior Princess of the Realm of Varonia!  (At the time, I was interested in developing female characters in orbit of the Nauts, to appeal to the core demographic of comic books.)  The really interesting thing was what happened when I first imagined Serpentyne’s intro scene.  I saw her emerging from an access point between this world and the Junction--but much to my surprise, she didn’t come alone!  There was someone else with her, a blond male fitness-magazine type with dragon wings and the attitude of someone you’d expect to see slinging a hammer in some other comics universe.  I hadn’t planned on this character; I hadn’t thought of him or in any way deliberately set out to create him.  He was just there, unbidden, a completely spontaneous act of creation.  Moreover, he was Serpentyne’s big brother!  Somehow, this character possessed such strength and power that he had willed himself into existence out of nothingness.  And he was so forceful that once he was there I couldn’t un-create him and he practically took over the story.  He even turned out to be gay and attracted to the Environauts’ strongman, Lionel Marshall, a.k.a. The Stone (much to Lionel’s delight).  Any character who can do that without my doing anything to summon him, I reasoned, was someone I had better just accept.  So I worked with Draco Rex and modified the story to provide him with an origin, and there he was.  This is the only time a thing like that has happened to me.  Usually, as the storyteller, I’m the one doing the creating.  Draco Rex brought himself into being and hurled himself to front and center!

Next time we’ll learn about that formidable weapon you see the King of Dragons carrying.  As you may suspect, the Dragon’s Tail is far more than just a whip!

Thursday, October 18, 2012

HERE BE A DRAGON

For all my artist and storyteller friends:  Did you ever have a character will himself into being with no deliberate effort on your part?  In the next post of Quantum Comics Blog, you'll see the color version of this master drawing of a character who did exactly that!


Thursday, October 11, 2012

COMING OUT PROUD


Today is National Coming Out Day, a day when gays and lesbians (and bisexuals and transgendered people) are encouraged to declare themselves bravely and proudly.  The first National Coming Out Day was October 11, 1988.  My own personal Coming Out Day was October 11, 1987, and I remember it to the day because the preceding day, October 10, is the wedding anniversary of my best friend from art school.  It’s true.  For this occasion, then--my 25th birthday, as it were--I thought it was well past time to get two particular characters together here on Quantum Comics Blog.  One of them you’ve already met, the intrepid Idol.  The other has also made a cameo appearance in that same post:  the senses-sizzling Sentinel, a.k.a. Pride!


The character of Pride, conceived by my friend Andy Mangels, is based on a design by an artist named Greg Phillips, who meant the character to be featured in the now-defunct Blueboy magazine.  Phillips originally christened his creation “The Sentry,” and I have the original Sentry design somewhere buried among my souvenirs.  When Andy latched onto the character for the indie-comics anthology Gay Comics, of which he was Editor, he redubbed Greg’s character as "Sentinel" and created his own origin for him.  He also called upon me to be Sentinel’s artist.  (I knew Andy’s work previously from Marvel Age, an in-house promotional magazine of Marvel Comics; it happened we were both members of ATDNSIN, The APA That Dares Now Speak Its Name, an Amateur Publishing Association for gays who read and work in comics.)  In this way a collaboration was struck.

With some modifications to Greg’s original design--some of which Andy wanted, like the forearm hair, and some of which were my idea, like the driving gloves with triangular cut-outs--we debuted Sentinel in Gay Comics #16, and the launch of the character was both my entrée into professional comics and my coming-out statement to the world.  Sentinel was kind of a landmark creation.  He was one of the first comic-book heroes who were cast in a very classically mainstream heroic mold; he was obviously the conceptual kin of Superman and Captain America.  His adventures were straightforward, serious, and dramatic, with humor used strictly for characterization.  His stories were not campy, not funny and frivolous, not a lark.  He was a traditional and conventionally masculine super-hero who happened to be romantically and sexually attracted to men only.  Today there are a number of such characters in mainstream comics; my favorites are the Wiccan and the Hulkling in The Young Avengers and Striker in Avengers Academy.  There’s also the very high-profile Canadian mutant Northstar in Alpha Flight and The X-Men, who actually preceded Sentinel but had a very tortured and convoluted storytelling history.  But Sentinel, at the time, was quite a unique creation; there weren’t many characters around like him.

I’ll tell you a couple of funny stories about the debut of Sentinel.  As I said, the debut of the character was my declaration of identity to the world.  When I was first Out, I decided I would just be myself and neither advertise nor hide who I was; if the subject came up I would deal honestly with it, and that was all.  Working in Gay Comics changed all that.  If you’re a contributing artist to a gay publication and you’re doing newspaper interviews and public appearances about it, as I was, you effectively do not have a closet.  So this was my way of claiming my gayness in the eyes of everyone, including my family and friends.  The consequence of all this was neither a bang nor a whimper.  

I’ll grant you my brother was curious and my aforementioned best friend from art school was set back on his heels a bit, but everyone else?  My mother looked at the first Sentinel story, thought it was wonderful, and was glad I was getting work.  That’s it.  My sister Janice went to Florida to visit my (now deceased) father on his birthday and came back with the story of how my father, at his birthday party, took out his copies of the Sentinel stories from Gay Comics and showed them to his neighbors, saying, “Look what my son did.”  This account tickled me because I remembered the story of what supposedly happened with one of my personal heroes, Gene Roddenberry, when Star Trek went on the air for the first time.  As Gene told it, after the show was over, his father went up and down the street apologizing to the neighbors for the foolishness they had just seen and promising them that Gene would be back to writing good old sensible All-American Westerns and crime shows straight away.  Hearing that my father had bragged to the neighbors about Sentinel, I couldn’t help thinking, Well, I’m one up on Gene...

There were six episodes of Sentinel in all, the first five of which I drew.  My work on these features represents a time when I was developing my own sensibility about super-heroes as something other than the cliché of the costumed mass of muscle and brawn who didn’t necessarily have to be beautiful or graceful or have any kind of sex appeal.  I wanted my characters to be different.  I wanted them to be masculine, strong, forceful, powerful, yes, by all means; they were super-heroes after all.  But darn it, I wanted them to be beautiful.  I wanted them to be graceful.  I wanted them to be sexy as all get-out.  And my rendering of the sententious Sentinel at the time reflected that.  In retrospect, what I should have done was to try to capture those same qualities in a character who was...well, at least bigger.  Sentinel should have been a physical specimen somewhere between Captain America and mighty Thor.  I made him more like a costumed Chippendales dancer instead.  It’s one thing I would change if I were working on the character today, and the drawing accompanying this post reflects that.  The artist who followed me on the final published episode of the character--Brandon McKinney, I think his name was--made him physically more of the kind of figure that I should have done, and I give him props for that.

And speaking of the later episodes of the character...

Our hero had a bit of a naming problem, owing to the usage of the same name(s) by larger comic book companies.  In other comics, “Sentry” was originally the name of a series of super-powerful robots created by the Kree Empire of the Greater Magellanic Cloud.  After Andy and I did our character, “The Sentry” was also used as the name of a powerful but psychotic super-hero who supposedly preceded the Fantastic Four.  “Sentinel” is the name of a series of giant robots that hunt mutants.  It is also a name briefly used by the first-generation Green Lantern, a character who of late has ironically been rewritten as gay!  Because of the issue of replication of names (and the fact that the other parties using the names were bigger gorillas than we were), Andy decided on a re-christening of our hero, and after some brainstorming he had our post-Stonewall paladin adopt a new monicker:  Pride!  And so he was called in his final installments.  

Idol is a character that I created in the same spirit as Pride.  He’s the same kind of character and stands for the same things.  If in some jaunt between comics universes the two of them ever crossed paths, they would recognize their kindred spirits and be great allies and friends.  (They would not hook up, because each has a non-super-hero boyfriend and is monogamous.)  It’s for that reason that on this National Coming Out Day I thought the two of them should meet in some fashion.  So, however Out you may be, take this drawing as a sign that there is a better life to be lived and greater strength and integrity to be found out of the closet than in.  Happy Coming Out Day, everyone.

Thursday, September 27, 2012

THE PROUDEST PAIR

Quantum Comics Blog will return October 11 to observe National Coming Out Day with the color version of this drawing and some very cool notes about the history behind it.  See you then!


Thursday, September 20, 2012

JON AND TOM


When we look for love--or even friendship--we tend to look for the one with whom we have the most in common.  Which makes perfect sense; compatibility is a highly desirable thing.  But such are the curious twists of human nature that sometimes what pleases and charms us most in others is the thing that we are not, as witness the most unlikely lovers who make the most perfect sense:  Jon Wilde, nicknamed Wild Jon, and Tom Tierney.

Consider the tale of Tom.  His father, attorney Kevin Tierney, wanted a son with whom to share all the typical Dad-son things in life.  He finally got one after two daughters--but Kevin was surprised one day when he walked in at an inopportune moment on Tom and his high-school boyfriend.  Bewildered, Kevin got into his car to think and drive and ran afoul of someone who had chosen to drink and drive, which left a world of things unsaid between Tom and his father.  Bereft of his Dad and fearing that Kevin was ashamed of him, Tom embarked on a life of denying himself love, dumping every boyfriend and sabotaging every relationship out of a need to be unhappy and punish himself for what happened to Kevin.  He even went so far as to move from California to New York and enroll at the same Manhattan law school his father attended, as if to keep Kevin’s ghost with him forever.  And it’s while he’s a student in New York that Tom meets Jon.


Jon couldn’t be more different from Tom.  Jon’s father is a wealthy Englishman; his mother was the Princess of a tribe of shape-changers from an alternate Earth called Greenworld.  The son of a captain of industry and a noble werewolf, young Prince Jon is a hybrid belonging to neither of his parents’ species and is effectively the child of nature itself.  Possessing superhuman strength, senses, and reflexes, animal-like powers, and a communion with the natural world, Jon is a creature of  instinct:  intuitive, uninhibited, innocent--as “wild” as his name implies.  He recognizes Tom as his destined mate by Tom’s scent!  Tom is Jon’s 180-degree opposite.  While handsome and athletic (as the boyfriend of a gay comic book hero should be), Tom is thoughtful, circumspect, analytical, intellectual--everything that is “civilized”.  The two should not get along and should even repel each other, and yet they prove to be the perfect fit, each possessing the qualities that the other lacks.  It is under the influence of the wild and primal but sweet and innocent Jon that Tom’s carefully guarded heart finally melts and he accepts his need to love and be loved.  In the bargain Tom gets the responsibility for helping Jon’s father protect him and all his secrets from the world.  In effect, the civilized Tom takes up the cause of conserving the part of nature that is most precious to him:  the wild and innocent boy he loves.

Jon and Tom together are an old song lyric expressed as two boys in love:  “Wild thing, you make my heart sing...”

Thursday, September 6, 2012

WHEN WE RETURN...

Quantum Comics Blog will be back soon with the color version of this drawing and some story notes about it.  Keep checking in!